tag:blogger.com,1999:blog-24644963811306653872024-02-21T06:40:08.182+01:00Eupallog KulturIl calcio come oggetto di elaborazione culturaleUnknownnoreply@blogger.comBlogger244125tag:blogger.com,1999:blog-2464496381130665387.post-27455394678944621202019-09-07T16:07:00.000+02:002019-09-07T07:05:21.506+02:00Il Museo della storia più antica<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg029lAecMLyjzTpKQIxExZIHzJIEqV3qka-oKq5jOYuu_1HpBeUJO_fzQWZPhN6JbYvwhiqOlBKsdw0LKvC2fF5BeFVo0g6vpPBjU4ViOM8G7pIBLTG0L4bggfKJKwMh3VpxIzQe0gc5I/s1600/Museo_Genoa.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg029lAecMLyjzTpKQIxExZIHzJIEqV3qka-oKq5jOYuu_1HpBeUJO_fzQWZPhN6JbYvwhiqOlBKsdw0LKvC2fF5BeFVo0g6vpPBjU4ViOM8G7pIBLTG0L4bggfKJKwMh3VpxIzQe0gc5I/s400/Museo_Genoa.jpg" width="400" /></a></div>
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<b><span style="color: #990000;">Museo della storia del Genoa</span></b><br />
<i>Nella palazzina San Giobatta al Porto Antico di Genova, sono raccolti dal 2009 un'enormità di cimeli, reperti e documenti che raccontano, con quella del "Club più antico d'Italia" (7 settembre 1893), la storia del calcio e della società italiana</i><br />
<span style="font-size: x-small;">2009 | <a href="http://www.fondazionegenoa.com/home/" target="_blank">Sito</a> | <a href="http://it.wikipedia.org/wiki/Museo_della_storia_del_Genoa" target="_blank">Scheda</a> | Fotografie <a href="http://www.repubblica.it/2006/05/gallerie/calcio/mostra-storia-genoa/1.html" target="_blank">01</a>-<a href="http://genova.repubblica.it/cronaca/2013/06/21/foto/genoa_nuovo_museo_rossobl-61577375/1/#1" target="_blank">02</a> | <a href="https://www.youtube.com/watch?v=5Tn4iCimWt8" target="_blank">Video</a></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-8412247031615944322018-08-10T06:46:00.001+02:002018-08-10T06:52:33.765+02:00Giovanni 'Ceramica' Lodetti<div class="separator" style="clear: both; text-align: center;">
<iframe allow="autoplay; encrypted-media" allowfullscreen="" frameborder="0" height="384" src="https://www.youtube.com/embed/tIMv0al67bE" width="683"></iframe>
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<b><span style="color: #990000;">Milano in rovesciata</span></b><br />
Scuola Milanese - Il Film<br />
<span style="font-size: x-small;">2014, Bedeschi Film</span><br />
<span style="font-size: x-small;"><a href="https://youtu.be/tIMv0al67bE?t=26" target="_blank">Video</a></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-34084943664059449662018-01-24T08:11:00.000+01:002018-01-24T08:11:13.597+01:00Calcio dei campioni<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJo7RNYPXpW8ytxlK0rX5LuX_-wuFmHCcvNj6kkTdwJ7Ro45WvPKjqdZUQglzvvj8UBtInj27tgLe1fHHCrX_KdVWQ7k6QpjPtZkEhuEzw_ACKi8iyCx0J7vaTIenmKd5ohQ_uHOyS6yo/s1600/Calcio-dei-campioni-Biella.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="529" data-original-width="467" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJo7RNYPXpW8ytxlK0rX5LuX_-wuFmHCcvNj6kkTdwJ7Ro45WvPKjqdZUQglzvvj8UBtInj27tgLe1fHHCrX_KdVWQ7k6QpjPtZkEhuEzw_ACKi8iyCx0J7vaTIenmKd5ohQ_uHOyS6yo/s640/Calcio-dei-campioni-Biella.jpg" width="563" /></a></div>
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<a href="http://www.fondazionecrbiella.it/flex/cm/pages/ServeBLOB.php/L/IT/IDPagina/3104" target="_blank">Informazioni</a></div>
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<a href="http://www.comune.biella.it/web/news/maglie-dei-campioni-calcio-mostra-piazzo" target="_blank">Comune di Biella</a></div>
<div style="text-align: left;">
<a href="http://www.lastampa.it/2018/01/22/edizioni/biella/biella-diventa-la-capitale-dello-sport-con-la-mostra-calcio-dei-campioni-YYpV3UJEP57LFwEnEApqqJ/pagina.html" target="_blank">La Stampa</a></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-62495556713850349252018-01-15T09:56:00.000+01:002018-01-15T16:30:26.826+01:00Going to the match<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUn-60z36wUphJxxvryUP2vHfU7Q13OI3OP_6Iv2hN3MnhJeOyAd1H5pt530kCf2LyjY6zWl8V0A-B6WYf05TG8oUAR_myQKmR8-1pkojgkRZ6sk3RMpXtsnPkpYZJNHviNTWgj0oHWM4/s1600/going-to-the-match.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="776" data-original-width="1000" height="496" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhUn-60z36wUphJxxvryUP2vHfU7Q13OI3OP_6Iv2hN3MnhJeOyAd1H5pt530kCf2LyjY6zWl8V0A-B6WYf05TG8oUAR_myQKmR8-1pkojgkRZ6sk3RMpXtsnPkpYZJNHviNTWgj0oHWM4/s640/going-to-the-match.jpg" width="640" /></a></div>
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Laurence Stephen Lowry (1887-1976)<br />
<b><span style="color: #990000;">Going to the match</span></b><br />
<span style="font-size: x-small;"><span style="font-size: xx-small;">1953 | </span>Olio su tela (71 x 91,5 cm) </span><br />
<span style="font-size: x-small;"><a href="https://artuk.org/discover/artworks/search/collection:the-l-s-lowry-collection-2157" target="_blank">The L. S. Lowry Collection</a></span><br />
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<a href="http://jaquo.com/art-matters-l-s-lowry-on-match-day/" target="_blank">Analisi</a> (Andy Royston)Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-91214797397900881062017-11-19T11:48:00.001+01:002017-11-19T11:48:44.678+01:00Ritratto del Paròn al 'Nereo Rocco' di Trieste<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc__PP9s03MBtQlT_hz6DCCVScMtaI21sCke2DScYu3r9vNpatMVOlkwsZ4F53lMva-HYwanqjmLzjPNz-YDyznKBur70ZIszYfVsiZv3ue6XoucXlXjoK5OdunfhiFrTS8cvBC7PbDXE/s1600/rocco.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="750" data-original-width="750" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgc__PP9s03MBtQlT_hz6DCCVScMtaI21sCke2DScYu3r9vNpatMVOlkwsZ4F53lMva-HYwanqjmLzjPNz-YDyznKBur70ZIszYfVsiZv3ue6XoucXlXjoK5OdunfhiFrTS8cvBC7PbDXE/s640/rocco.jpg" width="640" /></a></div>
Stadio Nereo Rocco, Trieste.<br />
Opera di Mattia Campo Dall'orto e Ives Covert<br />
Progetto <a href="http://www.retecivica.trieste.it/new/Default.asp?tabella_padre=sezioni&ids=12&tipo=-&pagina=cstampa_leggi.asp&comunicato=16229" target="_blank">Chromopolis</a>, Comune di TriesteUnknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-38137658789040363862017-07-03T08:40:00.001+02:002017-07-03T08:40:49.391+02:00Scusi, chi ha fatto palo?<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTkL8tryNHyMWmwh8MXsVttkxZ14nHJmPGmFB8CvwlHFfwrXLhxC0L1r2nFm4098FQ337QlDQ-IKbCRXxRaVUsmZIPLcIiLwlv6qY7ZlGXPgQ_QcpWhKN5S3cHgIElAzvfN3jAEPtvEAU/s1600/paolo-villaggio-palo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" data-original-height="900" data-original-width="1600" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjTkL8tryNHyMWmwh8MXsVttkxZ14nHJmPGmFB8CvwlHFfwrXLhxC0L1r2nFm4098FQ337QlDQ-IKbCRXxRaVUsmZIPLcIiLwlv6qY7ZlGXPgQ_QcpWhKN5S3cHgIElAzvfN3jAEPtvEAU/s320/paolo-villaggio-palo.jpg" width="320" /></a></div>
<b><span style="color: #990000;">Il secondo tragico Fantozzi</span></b><br />
di Luciano Salce<br />
con Paolo Villaggio<br />
<span style="font-size: x-small;">1976 | <a href="https://it.wikipedia.org/wiki/Il_secondo_tragico_Fantozzi" target="_blank">Scheda</a></span><br />
<span style="font-size: x-small;"><a href="https://www.youtube.com/watch?v=Lr-DpEOqDew" target="_blank">Video</a></span><br />
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<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-70411240177938281362017-05-15T17:14:00.001+02:002017-05-15T17:14:42.282+02:00Cantinho de Morais<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirM2YSKBVG4CCdy9VffnUESIZ_w-X_0JsW9ZtA2yMxj1Ut930gOZPOW6N2YxHQxs2SXAtCKEPTkG5XlSlQWU_W-6OgLBG42yWQCqG8dhjak5LRsjN_QpiGSJOFEEnw6Rg0ohyphenhyphenA7vfJBFU/s1600/cantinho+de+Morais.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEirM2YSKBVG4CCdy9VffnUESIZ_w-X_0JsW9ZtA2yMxj1Ut930gOZPOW6N2YxHQxs2SXAtCKEPTkG5XlSlQWU_W-6OgLBG42yWQCqG8dhjak5LRsjN_QpiGSJOFEEnw6Rg0ohyphenhyphenA7vfJBFU/s200/cantinho+de+Morais.jpg" width="200" /></a>Margarida Amaral<br />
<b><span style="color: #990000;">Cantinho de Morais</span></b><br />
<span style="font-size: x-small;">Teso e musica di Mário João Pereira Simões</span><div>
<span style="font-size: x-small;">[1964]</span></div>
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<a href="https://www.youtube.com/watch?v=PSwXbolRBXg" target="_blank"><span style="font-size: x-small;">Video e testo</span></a></div>
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Il 15 maggio 1964, ad Anversa, si ripete la finale di Coppa delle coppe tra Sporting Lisbona e M.T.K. Budapest. Dopo il 3:3 di due giorni prima, che divertì i pochissimi spettatori presenti all'Heysel, i portoghesi la spuntano. Per un solo gol. Segnato da João Pedro Morais, direttamente da calcio d'angolo. Una raffinatezza, spesso involontaria, che raramente si vede. Perché 'cantinho'? Perché, appunto, in portoghese, 'escanteio' o 'canto' sta per corner, calcio d'angolo ... Quel gol fu molto popolare, e si meritò una canzone che ebbe discreto successo da quelle parti.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-76282659350738994672017-05-12T00:30:00.000+02:002017-05-12T03:11:08.296+02:00Ode a Zeman<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjiqlLonP7VFo9-92JDZ6otsdnH5ymx_VoPmtx0MwjlA81cwAnHXVbjJFOSzuZRfeDWsWK7ZPcFmEkp-Z1YKrDhBMjzadh4my2MnXVxLjNnazW7OB0p65uc8xeh8WsknozR-ebn5RSMk0/s1600/albanese_zeman.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhjiqlLonP7VFo9-92JDZ6otsdnH5ymx_VoPmtx0MwjlA81cwAnHXVbjJFOSzuZRfeDWsWK7ZPcFmEkp-Z1YKrDhBMjzadh4my2MnXVxLjNnazW7OB0p65uc8xeh8WsknozR-ebn5RSMk0/s400/albanese_zeman.jpg" width="400" /></a></div>
<b><span style="color: #990000;"><br /></span></b>
<b><span style="color: #990000;">Antonio Albanese "Frengo"</span></b><br />
<span style="font-size: x-small;">2003 | RAI TRE "Non c'è problema" | <a href="http://www.antonioalbanese.info/" target="_blank">Sito di Antonio Albanese</a> | <a href="http://www.youtube.com/watch?v=uRiAPzVJYMw" target="_blank">Video</a></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-52139464499457399822017-04-13T10:00:00.001+02:002017-04-13T10:00:39.501+02:00Totò presidente (del Cerignola)<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLer70bRYBlZkRflCLHKg5LKL8cLIMvmqX1FVWVEYExBQn3QNRMlqEKXxMyjkNDLQh2THuLhZjzlwQcSZKpnyVbotFqpfDrny-c3jD2PS3lir3hQJ31wSvsVckgPFHAJCnEduzHX9qRFc/s1600/tot%25C3%25B2-gambe-doro.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="440" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLer70bRYBlZkRflCLHKg5LKL8cLIMvmqX1FVWVEYExBQn3QNRMlqEKXxMyjkNDLQh2THuLhZjzlwQcSZKpnyVbotFqpfDrny-c3jD2PS3lir3hQJ31wSvsVckgPFHAJCnEduzHX9qRFc/s640/tot%25C3%25B2-gambe-doro.jpg" width="640" /></a><b><span style="color: #990000;">Gambe d'oro</span></b><br />
Regia di Turi Vasile<br />
<span style="font-size: x-small;">1958 | Titanus</span><br />
<span style="font-size: x-small;"><a href="https://it.wikipedia.org/wiki/Gambe_d%27oro" target="_blank">Scheda</a> | <a href="https://www.youtube.com/watch?v=VwQ0wI-LK2M" target="_blank">Il film</a> (completo)</span><br />
<span style="font-size: x-small;"><br /></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-31480711108397318952017-03-18T08:26:00.000+01:002017-03-18T08:26:04.796+01:00L'uomo in più<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvAUiEE3ZerI5wOYc4E7PnQcpqkFj_5QUw1H0rRUsLEiQbOkJtH7XlNcAAB_6graMEna5OmXN52uGnCVEJwwr-pmCbi80Q22Kis2v2iUyzXNa9cxTIciXz3gKFIidHU_5Y9mLWOr0AYSs/s1600/Sorrentino.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="410" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvAUiEE3ZerI5wOYc4E7PnQcpqkFj_5QUw1H0rRUsLEiQbOkJtH7XlNcAAB_6graMEna5OmXN52uGnCVEJwwr-pmCbi80Q22Kis2v2iUyzXNa9cxTIciXz3gKFIidHU_5Y9mLWOr0AYSs/s640/Sorrentino.jpg" width="640" /></a></div>
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Paolo Sorrentino debutta al cinema prima dell'inizio di Napoli-Perugia, al San Paolo, il 18 marzo 2001.</div>
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Qui la scena iniziale de "L'uomo in più". Il Molosso - l'allenatore interpretato da Nello Mascia - è ispirato al "Petisso" Bruno Pesaola, allenatore del Napoli, della Fiorentina campione d'Italia nel 1969 e del Bologna. Il personaggio di Antonio Pisapia è invece ispirato ad Agostino Di Bartolomei. Lo stadio nel quale Antonio Pisapia rientra in campo dopo la sfuriata dell'allenatore è appunto il San Paolo quel giorno.</div>
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L'"uomo in più" è la quarta punta che Antonio vuole aggiungere al suo schema di gioco: schema ispirato a quello applicato da Ezio Glerean con il Cittadella.</div>
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<span style="font-size: x-small;"><a href="https://it.wikipedia.org/wiki/L'uomo_in_pi%C3%B9" target="_blank">Scheda</a> | <a href="https://www.youtube.com/watch?v=Co3hLRqU8K0" target="_blank">Scena iniziale</a></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-57913116911086882812017-02-17T09:54:00.000+01:002017-02-17T09:54:36.646+01:00Campi minori d'Europa<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRoDs-D5gwAxe6paPtqmEL6q8UHVPTlPkWF8PRr2rH5irccKVDc-x8jECzZIdZwvyRAK4SaHFDYLFzJA2WK45hSamIScXHV4rOpUsE_2XQNqIzpto32sUzNZ2QdJjc-gvo0qs52_ZdWjE/s1600/european-fields.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="436" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhRoDs-D5gwAxe6paPtqmEL6q8UHVPTlPkWF8PRr2rH5irccKVDc-x8jECzZIdZwvyRAK4SaHFDYLFzJA2WK45hSamIScXHV4rOpUsE_2XQNqIzpto32sUzNZ2QdJjc-gvo0qs52_ZdWjE/s640/european-fields.jpg" width="640" /></a></div>
Hans Van der Meer<br />
<b><span style="color: #990000;">European fields. </span></b><br />
<b><span style="color: #990000;">The landscape of lower league football</span></b><br />
<a href="https://steidl.de/Books/European-Fields-The-Landscape-of-Lower-League-Football-0911215658.html" target="_blank"><span style="color: black;"><span style="font-size: x-small;">2006, Steidl, Göttingen</span></span></a><br />
<span style="font-size: x-small;"><a href="https://steidl.de/Books/European-Fields-The-Landscape-of-Lower-League-Football-0911215658.html" target="_blank">Book</a> | <a href="http://www.hansvandermeer.nl/projects/europeanfields#" target="_blank">Slideshow</a></span><br />
<span style="font-size: x-small;"><a href="http://www.hansvandermeer.nl/info" target="_blank">L'artista</a></span><br /><br /><div style="text-align: justify;">
At the beginning of the 1995 football season, Hans van der Meer set out to take a series of football photographs that avoided the clichéd traditions of modern sports photography. In an attempt to record the game in its original form - a field, two goals and 22 players - he sought matches at the bottom end of the amateur leagues, the opposite end of the scale to the Champions’ League. And he avoided the enclosed environment of the stadium and tight telescopic details and hyperbole of action photography. Preferring neutral lighting, framing and camera angles, he chose instead to pull back from the central subject of the pitch, locating the playing field and its unfolding action within a specific landscape and context. He was heavily influenced by the old tradition of photography in which a wide view of the action often resulted in elements of the locality being present in the image.</div>
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Van der Meer began by focusing on sites within the Netherlands and in 1998 he published Dutch Fields, followed by a DVD, Flemish Fields, in 2000. His European odyssey has since taken him from small towns in the remote regions of Europe - from Bihariain in Romania to Björkö in Sweden, from Torp in Norway to Alcsóörs in Hungary, from Bartkowo in Poland to Beire in Portugal - and to the fringes of the major conurbations of Greece, Finland, England, France, Germany, Scotland, Switzerland, Holland, Slovakia, Denmark, Ireland, Wales, the Czech Republic, Belgium, Spain and Italy. These acute and subtle observations of the poetry and absurdity of human behavior connect the game of football to the basic futility of the human condition. The small tragicomedies are dwarfed by the serenity and permanence of the natural or manmade world that surrounds them but in their pathos can be found the original passion and humanity of the game.</div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-54842271836252563272017-01-25T15:28:00.001+01:002017-01-25T15:28:46.238+01:00Groundhopping in Belgium<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvwjrsjnHK1dP4Zs6q6sIlRLKquu9tzIXvEWHSy7NBcBPq7Lc41KeykxsT5dZx95CcdvziRtCG2NvPGcuh_rkCLFE4mx75wPHT0etzew4mGSx4m6_x9_t03Y7abSreSuS7A7XG3oCI-3Q/s1600/belgian-football-fields.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="462" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjvwjrsjnHK1dP4Zs6q6sIlRLKquu9tzIXvEWHSy7NBcBPq7Lc41KeykxsT5dZx95CcdvziRtCG2NvPGcuh_rkCLFE4mx75wPHT0etzew4mGSx4m6_x9_t03Y7abSreSuS7A7XG3oCI-3Q/s640/belgian-football-fields.jpg" width="640" /></a>Jurgen Vantomme<br />
<b><span style="color: #990000;">Offside. Belgian football fields</span></b><br />
<span style="font-size: x-small;">2016 | Lannoo Meulenhoff - Belgium</span><div>
<span style="font-size: x-small;"><a href="http://www.groundhopping.be/the-book" target="_blank">Book</a> | <a href="http://www.groundhopping.be/album/overview" target="_blank">Album</a></span></div>
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<i>Groundhoppers travel to soccer fields and stadiums for the sake of the fields, not for the game. They bring tribute to the ‘fields of honor’, where old and young can pretend to be the new Messi and where fans give their soul for their club. Gone glory, hilarious surrealism, impossible locations. In this book photographer Jurgen Vantomme portrays soccer fields of Belgium. He sometimes focuses on the players on the field but more often he looks at the surroundings in which the game of games is played – from the cheering elderly in an almost empty stadium, to games in the snow.</i></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-71426414073440900772017-01-22T11:11:00.001+01:002017-01-22T11:11:58.065+01:00La prima radiocronaca<div style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSYoteAOiKLnvdwxQBoW3BEnpfa7nUtd-nUluxLn1_bRurzWeuUHQ1i3S0nTfBaU0qkPwKcNpxy2CWK13X5yLsSEw8C4lObrcFAeJnV8QlwWQxLomnI-BQ_uUb0BteVYwMQoPMogcFX7o/s1600/1927radiotimes.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="400" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhSYoteAOiKLnvdwxQBoW3BEnpfa7nUtd-nUluxLn1_bRurzWeuUHQ1i3S0nTfBaU0qkPwKcNpxy2CWK13X5yLsSEw8C4lObrcFAeJnV8QlwWQxLomnI-BQ_uUb0BteVYwMQoPMogcFX7o/s400/1927radiotimes.jpg" width="360" /></a>Il 22 gennaio 1927, la BBC trasmise la prima radiocronaca di una partita di football, Arsenal-Sheffield United, valevole per la First Division. Da Highbury, ovviamente.</div>
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Il problema più grosso non fu tecnologico: a quella radiocronaca ne seguirono subito molte altre. Il problema era che non tutti conoscevano il football, non tutti erano in grado di ascoltare e visualizzare il gioco nella loro fantasia.</div>
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Vennero in soccorso alcuni giornali (nella foto, la pagina del <i>Manchester Guardian</i>) che pubblicarono un disegno del campo, suddiviso in sezioni numerate: così, mentre un cronista descrisse lo svolgimento dell'azione, un altro indicò il numero della zona in cui si trovava il pallone. Questo, più o meno, l'effetto: "Oh! pretty work, very pretty (section 5) ... now up field (7) ... a pretty (5,8) pass ... come on Mercer ... Now then Mercer; hello! Noble's got it (1,2)". Funzionò, a quanto pare.</div>
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Per la cronaca: finì 1:1. I telecronisti furono C.A. Lewis ed H.B.T. Wakelam.</div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-71133592380189341012017-01-18T20:07:00.001+01:002017-01-18T20:07:39.148+01:00Calcio a Venezia<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixF2PeeYC6OKRrxNuDQKQSZbH_zV6HcNWALUlWb_qdVwy7a1K2RbXVlkhSFd92qsmkT6Cq_D9Ye4sp7XV-jp9EGaBy2yQDhHNC8qb3R6PqcmAOC1RtRd22kSrXU-8VW1Ug4yHSaARJmzo/s1600/italico-brass.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="585" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEixF2PeeYC6OKRrxNuDQKQSZbH_zV6HcNWALUlWb_qdVwy7a1K2RbXVlkhSFd92qsmkT6Cq_D9Ye4sp7XV-jp9EGaBy2yQDhHNC8qb3R6PqcmAOC1RtRd22kSrXU-8VW1Ug4yHSaARJmzo/s640/italico-brass.jpg" width="640" /></a>Italico Brass<br />
<b><span style="color: #990000;">Partita di calcio all'Isola di Sant'Elena a Venezia</span></b><br />
<span style="font-size: x-small;">[1909] | <a href="http://www.marignolifoundation.org/" target="_blank">The Marignoli di Montecorona Foundation</a></span><br />
<span style="font-size: x-small;">L'artista: <a href="https://it.wikipedia.org/wiki/Italico_Brass" target="_blank">profilo</a></span><br />
<br />Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-47202832814665923392016-12-26T10:12:00.000+01:002017-01-26T15:04:20.844+01:00Il rap di Johnny Rep<div style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPeMSjNXqZRD3dV00sj-JWxqCwBhaJTb5wdReCrFvz8FpnZyXPLyd97C1Dk1duObUvWLxJg-RoiqCFvYzpaLTWeC0wfzwKGgf4L_VqWsQRQpSc22P8vXQgvfOGhSOcnYDb06Bw07ExiY4/s1600/Johnny+Rep.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPeMSjNXqZRD3dV00sj-JWxqCwBhaJTb5wdReCrFvz8FpnZyXPLyd97C1Dk1duObUvWLxJg-RoiqCFvYzpaLTWeC0wfzwKGgf4L_VqWsQRQpSc22P8vXQgvfOGhSOcnYDb06Bw07ExiY4/s320/Johnny+Rep.jpg" width="320" /></a><b><span style="color: #990000;">Johnny Rep</span></b></div>
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Mickey 3D</div>
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<span style="font-size: x-small;">2004 | Virgin | Album: <a href="https://fr.wikipedia.org/wiki/Live_%C3%A0_Saint-%C3%89tienne" target="_blank">Live à Saint-Étienne</a></span></div>
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<a href="https://www.youtube.com/watch?v=sKqjbPuDT-o" target="_blank"><span style="font-size: x-small;">Videoclip</span></a></div>
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"Ogni anno il 26 dicembre più che il protomartire preso a sassate mi fa venire in mente l'ASSE, ovvero l'Association Sportive Saint-Etienne che non so perché era una delle squadre preferite della mia infanzia (ce l'avevo anche a Subbuteo). Sarà stato per il verde delle maglie, allora alquanto inconsueto, o ancora di più per il fatto che ci giocava Johnny Rep. Perché io, a dieci anni volevo essere Johnny Rep" (Gino Cervi)</div>
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Ce soir c'est le tout premier match de la saison<br />
Et Johnny rep a les cheveux blonds<br />
45 000 personnes se tasse dans le chaudron<br />
Et Johnny rep enleve son pantalon<br />
Un ange qui passe dans les vestiaires<br />
Mais Johnny rep, enfile son maillot vert<br />
Ce soir la lune, escorte les champions<br />
Et Johnny rep affute ces crampons<br />
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Ce soir la foule n'en peux plus de chanter <br />
Et johnny rep evite les croche pieds <br />
Ce soir c'est sur, on va voir tremplés les filés <br />
Et johnny rep n'en peu plus de dripler <br />
Ce soir on joues a la maison<br />
Et johnny rep demande le ballon<br />
Ce soir la pluie trempes les blousons<br />
Mais johnny rep a marqué ses ponts<br />
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Une domination de saint etienne<br />
St Etienne qui méne déjà deux zero<br />
Deux buts de Johnny rep<br />
Johnny rep qu'on voit d'ailleurs l'un d'ici ses premier doublé<br />
Johnny rep qui récupere le ballon en position d'arriere droit<br />
Un johnny rep extremement défensif <br />
Il laisse le ballon en retrait a Christian Lopez<br />
Christian Lopez qui remet en retrait a Jean Castanaida <br />
Castanaida qui relance imédiatement pour Gerard champion<br />
Gerard champion qui change complétement de coté<br />
Qui donne a Gerard Farison<br />
Gerard Farison en destination de Jacques Santini<br />
Jacques santini a Michel Platini<br />
Michel Platini en profondeur pour Johnny rep <br />
Johnny rep seul devant le gardien en point de penaltie<br />
Et Johnny rep qui marque, troisiéme but de l'equipe de St Etienne<br />
Il reste 8min a jouer, l'équipe de St etienne évidemment qualifié<br />
Pour le prochain tour de la coupe de L' UEFA<br />
Les stephanois qui ménent trois a zero, trois buts de Johnny repUnknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-87123932609364649542016-10-02T08:54:00.002+02:002016-10-02T10:44:06.145+02:00La cinquina, un film e la 'canzona' di Testaccio<div style="text-align: justify;">
Il 15 marzo 1931, sul campo di casa, la Roma otteneva la sua prima vittoria sulla Juventus. Un rotondissimo cinque a zero; Fuffo Bernardini fece doppietta, ma andò in rete anche Sigghefrido, alias Rodolfo Volk, idolo della già calda tifoseria romanista.</div>
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Quel <i>match</i> fece epoca. Tanto che, nel giro di un anno, uscì un film, diretto dall'esperto Mario Bonnard, regista e attore, romano e (evidentemente) romanista. Il titolo della pellicola riproduceva il risultato di quella già leggendaria partita: <i>Cinque a zero</i>, appunto. </div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG6Z9W5iew8OOnVKmodhZCqAyWVVcktEWAJmbjzCtwzpO5dAXmKRuHmlw9YRMPiEQGviKdhJqgseIuVMmouUgCspiZaTi1h9QOV4Of2PhEtD6ymyBzPz6vJbdiMGyDGDM_jfc_Wr_m1Os/s1600/5-0.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiG6Z9W5iew8OOnVKmodhZCqAyWVVcktEWAJmbjzCtwzpO5dAXmKRuHmlw9YRMPiEQGviKdhJqgseIuVMmouUgCspiZaTi1h9QOV4Of2PhEtD6ymyBzPz6vJbdiMGyDGDM_jfc_Wr_m1Os/s320/5-0.jpg" width="232" /></a></div>
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In quello stesso periodo, fu composto uno dei primi 'inni' giallorossi: la <i>Canzona di Testaccio</i>. Il testo fu opera del poeta Totò Castellucci, che lavorò sulla base musicale di <i>Guitarrita</i>, un tango scritto da Bixio Cherubini e Armando Fragna nel 1930.</div>
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Del film è rimasta una sola copia, conservata in Francia.</div>
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Della canzone - che pure si è tramandata oralmente e ancora oggi viene talvolta intonata all'Olimpico - vi è anche la versione prodotta nel 1980 da Vittorio Lombardi, su esplicita richiesta di Sandro Ciotti, </div>
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In anni recenti, Daniele Silvestri l'ha ripresa sostituendo i nomi dei calciatori 'antichi' con quelli 'moderni',</div>
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<i><a href="https://www.youtube.com/watch?v=hZfQoSRm1Wc" target="_blank"><span style="font-size: x-small;">Guitarrita</span></a></i><br />
<span style="font-size: x-small;"><i>Cinque a zero</i>: <a href="https://it.wikipedia.org/wiki/Cinque_a_zero" target="_blank">scheda</a> - <a href="https://www.youtube.com/watch?v=6Vc1C0CgWJc" target="_blank">alcuni fotogrammi</a></span><br />
<span style="font-size: x-small;"><a href="https://www.youtube.com/watch?v=BT-_WCdShyY" target="_blank">Canzona di Testaccio</a>: <a href="http://www.utronlus.com/ALLEGATI/lacanzonaditestaccio.pdf" target="_blank">storia</a> - anche <a href="http://iogiocopulito.ilfattoquotidiano.it/il-primo-inno-della-roma-era-un-tango/" target="_blank">qui</a> - <a href="http://www.campotestaccio.com/index.php?option=com_content&view=article&id=71" target="_blank">qui</a> la versione di Lombardi</span><br />
<span style="font-size: x-small;">La partita: <a href="http://www.almanaccogiallorosso.it/1930-1931/Campionato/22Giornata/Roma-Juventus.html" target="_blank">tabellino e immagini</a></span><br />
<span style="font-size: x-small;"><a href="https://www.youtube.com/watch?v=P6VxUkv5UVQ" target="_blank">Ammodernamento di Daniele Silvestri (2013)</a> - vedi anche <a href="http://www.footballa45giri.it/campo-testaccio-daniele-silvestri/" target="_blank">qui</a></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-76764241120111198242016-07-05T08:09:00.000+02:002016-07-05T08:29:26.003+02:00Italia Brasile 3 a 2<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3OgNOgAadfFyMrd8q5CT8TWGw1rkh77LeUNo1Hs1hNVhVChRh5Qnafo0IT8ny8Xy-fYppIkPVjKRaY8iq4EXL5z2IrGKZw_5ewyo_DdqElStKOEPg1CqFoJcKXhzgn9nCjj77Ewwbf2k/s1600/ita-bra-Enia-2.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi3OgNOgAadfFyMrd8q5CT8TWGw1rkh77LeUNo1Hs1hNVhVChRh5Qnafo0IT8ny8Xy-fYppIkPVjKRaY8iq4EXL5z2IrGKZw_5ewyo_DdqElStKOEPg1CqFoJcKXhzgn9nCjj77Ewwbf2k/s400/ita-bra-Enia-2.jpeg" width="400" /></a></div>
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<b><span style="color: #990000;">Italia - Brasile 3 a 2</span></b><br />
Davide Enia<br />
<span style="font-size: x-small;">2005 | <a href="https://www.youtube.com/watch?v=vYiEQQF_0ps" target="_blank">Lo spettacolo</a></span><br />
<a href="http://www.davideenia.org/Italia_Brasile.html" target="_blank"><span style="font-size: x-small;">Foto e recensioni</span></a><br />
<a href="http://sellerio.it/it/catalogo/Italia-brasile/Enia/932" target="_blank"><br /></a>
<span style="font-size: x-small;"><a href="http://sellerio.it/it/catalogo/Italia-brasile/Enia/932" target="_blank">Il Libro</a> (Palermo, Sellerio, 2010)</span><br />
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Un monologo in stile comico e realistico di antica scuola. Una famiglia allargata davanti alla <i>partitissima</i> del 1982, che fu mito di formazione per una generazione allora bambina. Il caos prodigioso dello spettacolo che diventa vita e della vita che diventa spettacolo.</div>
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Racconto minuto per minuto dal soggiorno di casa dell’incontro del 5 luglio 1982, la <i>partitissima</i> che aprì la strada all’Italia campione del mondo – campione del mondo – campione del mondo. Non solo le fasi altalenanti e febbrili dello scontro di due leggendarie nazionali di calcio, dal primo gol di Paolo Rossi all’ultima parata di Zoff: il vero protagonista è il gruppo di parenti e amici che, stipati di fronte al nuovo apparecchio TV a colori acquistato per l’occasione, vive i 90 minuti della sfida tra riti, scaramanzie, esaltazioni, depressioni, imprecazioni e devozioni.</div>
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Italia-Brasile 3 a 2 è un vero e proprio «caso» teatrale. Monologo da sempre in tournée, portato in giro per i teatri d’Europa, riesce a passare con l’elegante velocità di un tiro al volo dai comici microeventi del tinello palermitano a drammatiche partite in cui letteralmente ci si giocava la vita. Intriso di spirito popolare, grazie ad una sorprendente reinvenzione linguistica che parte dal dialetto palermitano, il testo è anche un racconto di formazione di commovente umorismo. Chiunque ha visto la partitissima, ricorda il dove e il quando della visione perché quella sfida è diventata il mito fondante di una generazione che usciva dalle contraddizioni degli anni ’70 e abbandonava per sempre il bianco e nero.</div>
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"... E al novantesimo minuto Eder sta per calciare un tiro d’angolo per il Brasile. Il giocatore brasiliano dispone il pallone, poi sposta i cartelloni pubblicitari per prendere ‘na rincorsa cchiù potente, corre e colpisce la palla di esterno sinistro, parabola a rientrare, si crea un mischia all’altezza del dischetto del rigore, montagna di carne umana che salta tutta ‘nsemula, e Dino Zoff l’azzurro portiere nota con disappunto che ad acchianàre cchiù in alto di tutti è u difensore du Brasili di nome Oscar, ed è proprio ìddu che colpisce u palluni di tìesta, ed è una sassata violenta ‘sta capocciata brasiliana, un tirazzo potente e secco che si dirige verso il palo lontano, laddove lui: Dino Zoff, età 40, non ci può arrivare manco pi niente. Il pallone vola verso il golle, beffardo e sicuro, e Zoff si guarda attorno, attonito ed impotente. Nel caos incòccia lo sguardo di Paolo Rossi. E’ ‘na taliàta breve, ma intesa assai. “<em>Dinuzzu</em> -ci fa Pablito-<em> io di golle nni fici tri, e c’ham’a fàri? Pi farne un àutru un ci nnè tìempu! Chi ffa? Ti jècchi e u pari ‘stu palluni, oppure hav’a continuàri a tampasiàrtela?</em>”. Ma Zoff il quarantenne si sente addosso tutta la vecchiaia del proprio corpo portiere, l’artrite la sciatica e i reumatismi. Chiude comunque gli occhi, e si talìa dentro. Pensa: “<em>Minchia! Iddu c’havi raggiùni!</em>”. E allora s’attùffa felino verso u palluni che sta per tràsere nna porta. Strince forte i denti, e non pare cchìù un cristiànu sanu di mente, ma un fuòdde con un solo compito ‘nna vita: pigghiàri quell’arrùsu du palluni, susìrisi e dire al mondo intero: “<em>Picciotti, c’è picca ‘i fari: stavolta vinciamo noiàutri!</em>”.<br />
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<span style="font-size: x-small;">La partita: <a href="http://eupallog-cineteca.blogspot.it/2012/08/italia-brasil-1982.html" target="_blank">Eupallog Cineteca</a></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-91501896175697466092016-06-05T09:05:00.002+02:002016-06-05T09:05:32.250+02:00E 'Dico' diventò Pelé<div class="separator" style="clear: both; text-align: center;">
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<b><span style="color: #990000;">Pelé. Birth of a legend</span></b><br />
Regia di Jeff e Michael Zimbalist<br />
<span style="font-size: x-small;">2016 | Imagine Entertainment</span><br />
<span style="font-size: x-small;"><a href="https://en.wikipedia.org/wiki/Pel%C3%A9:_Birth_of_a_Legend" target="_blank">Scheda</a> | <a href="https://www.youtube.com/watch?v=pwBXs2B2ZbI" target="_blank">Trailer</a></span><br />
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<span style="font-size: x-small;"><a href="http://www.cineblog.it/post/696247/pele-le-recensioni-straniere-e-italiane" target="_blank">Recensioni</a></span><br />
<span style="font-size: x-small;"><a href="http://uomonelpallone.com/2016/06/01/cinema-nel-pallone-pele/" target="_blank">Tre uomini e un pallone</a></span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-90287842975864288272016-05-21T09:28:00.001+02:002016-05-21T09:28:48.940+02:00Ombre e mischia<div class="separator" style="clear: both; text-align: center;">
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCijrAeSnp0v_lwK6x7C9PaOK03Ju20XMuvjCbXTDXexlEhrgFBT_iniR1gSxIzmtKtALdLIrTcZe6EjzTnPZ29jDx5ncg-rk5lSZLx4nYZrSyq73kk8rrxXGYR8bK1NV7bmH48uQx560/s1600/ita-bel-1922-gustavino.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiCijrAeSnp0v_lwK6x7C9PaOK03Ju20XMuvjCbXTDXexlEhrgFBT_iniR1gSxIzmtKtALdLIrTcZe6EjzTnPZ29jDx5ncg-rk5lSZLx4nYZrSyq73kk8rrxXGYR8bK1NV7bmH48uQx560/s640/ita-bel-1922-gustavino.jpg" width="452" /></a></div>
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<b><span style="color: #990000;">Illustrazione del popolo</span></b><br />
5 giugno 1922 (supplemento di 'La Gazzetta del Popolo')<br />
<span style="font-size: x-small;">Disegno di Gustavo Carlo Claudio Rosso (Gustavino)</span><br />
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<span style="font-size: x-small;">La <a href="http://eu-football.info/_match.php?id=4941" target="_blank">partita</a> (Italia-Belgio 4:2, disputata a Milano il 21 maggio 1922)</span></div>
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-8018116425310327062016-05-17T20:21:00.002+02:002016-05-19T10:45:14.212+02:00The Golden Vision<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1fIYrZ4R510x9F7ek-IIc_rMoLhngRipBcCtQNAY4aOF34M7lUAhbX86l3cJSQNYcdIAJmMOe-dFicyi0_IxkeRHjQpzbaOTLkY_Jq0bmH53-bvizZ9NVu79jqlAhnIanzJ6N1zaF-f8/s1600/The-Golden-Vision.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj1fIYrZ4R510x9F7ek-IIc_rMoLhngRipBcCtQNAY4aOF34M7lUAhbX86l3cJSQNYcdIAJmMOe-dFicyi0_IxkeRHjQpzbaOTLkY_Jq0bmH53-bvizZ9NVu79jqlAhnIanzJ6N1zaF-f8/s320/The-Golden-Vision.jpg" width="225" /></a></div>
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<b><span style="color: #990000;">The Golden Vision</span></b><br />
Regia di Ken Loach<br />
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The obsessive supporters of Everton FC forsake wives, families and God to follow their beloved team. Meanwhile, the club and its players try to live up to their expectations.</div>
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"The eponymous GV, as Everton fans will know, was the centre-forward Alex Young, a central figure in Loach's docu-drama focusing on the historic bond between football club and fans. The film switches between interviews with Everton players and dramatised scenes from the lives of fans, played by fine Scouse actors like Bill Dean and Ken Jones"</div>
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<span style="font-size: x-small;">1968 | <a href="https://it.wikipedia.org/wiki/Fuga_per_la_vittoria" target="_blank">Scheda</a> | <a href="http://www.bbc.co.uk/programmes/b0074qdm" target="_blank">BBC</a></span><br />
<span style="font-size: x-small;"><a href="https://www.youtube.com/watch?v=WcAmE5GxGd0" target="_blank">Il film</a></span><br />
<span style="font-size: x-small;">Rivisto da Martin Kelner (<i><a href="https://www.theguardian.com/sport/blog/2009/mar/02/screen-break-kelner-football-golden-vision" target="_blank">The Guardian</a></i>, 2 marzo 2009)</span><br />
<span style="font-size: x-small;">Tony Garnett: <a href="http://tonygarnett.info/off-cut-the-golden-vision-2/" target="_blank">Off-Cut</a></span></div>
Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-56695189903597179962016-04-03T12:22:00.002+02:002016-04-03T12:22:41.851+02:00L'orbita di Cruijff<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1eYNo_iI-ySzHanszDfFQb0heu7hBfUYUdq2nGm-1vMSoaOJxZY86szEVJH12AWGORJ1D2qNFOAPW0I06JREnOSFe7jFiRpe9JA9a03VWoXqeNwddRtt9N5DDzko3EurfxUrVQqsdZZw/s1600/cruijffbaangr.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="347" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi1eYNo_iI-ySzHanszDfFQb0heu7hBfUYUdq2nGm-1vMSoaOJxZY86szEVJH12AWGORJ1D2qNFOAPW0I06JREnOSFe7jFiRpe9JA9a03VWoXqeNwddRtt9N5DDzko3EurfxUrVQqsdZZw/s640/cruijffbaangr.jpg" width="586" /></a></div>
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<b><span style="color: #990000;">14282 Cruijff</span></b> (asteroide)<br />
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<span style="font-size: x-small;"><a href="http://www.minorplanetcenter.net/db_search/show_object?object_id=14282" target="_blank">IAU</a> | <a href="http://ssd.jpl.nasa.gov/sbdb.cgi?sstr=14282" target="_blank">NASA</a></span><br />
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Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-71603930783969403252016-04-01T12:58:00.000+02:002016-04-01T12:58:08.178+02:00Antognoni: Ventanni spesi bene<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0EFaSct40KWp4EttqRrmh-SbAhfqA4Y3qko3M-ujCd7YIHYKz9ovVfTGDKJ9LOp_mSn9mjO-v4fBMHVg4-Z9k8KSo_J5SpNDGWJlXDeI6NilObitcugcngRS1MPCacLnhyphenhypheng49GWLqoTg/s1600/antognoni-facis.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj0EFaSct40KWp4EttqRrmh-SbAhfqA4Y3qko3M-ujCd7YIHYKz9ovVfTGDKJ9LOp_mSn9mjO-v4fBMHVg4-Z9k8KSo_J5SpNDGWJlXDeI6NilObitcugcngRS1MPCacLnhyphenhypheng49GWLqoTg/s640/antognoni-facis.jpg" width="500" /></a></div>
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<span style="color: #990000;"><b>Facis Ventanni</b></span><br />
<span class="Apple-style-span" style="font-size: x-small;">1975 | <a href="http://www.gazzetta.it/Calcio/Altro_Calcio/Primo_Piano/2007/03_Marzo/26/moda.shtml" target="_blank">Calciatori testimonial</a><span style="color: black;"></span></span><br />
<span class="Apple-style-span" style="font-size: x-small;"><br /></span>
<span class="Apple-style-span" style="font-size: x-small;">Fino al 1974, per i calciatori professionisti era vietato qualsiasi tipo di sponsorizzazione. Caduto il tabù grazie alle pressioni dell'Associazione Italiana Calciatori, uno dei primi a incrementare i propri guadagni grazie alla pubblicità fu Giancarlo Antognoni. Non a caso: era, allora, l'astro nascente del football italiano</span><br />
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</b></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-42250879153267998732016-01-12T07:00:00.000+01:002016-01-12T09:15:39.553+01:00Uno ics due<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr6-5W5hPvHyF6DlUC6q5KZKV59jgodT4VPn1NUa-G9BZPJln-VV_XAPy9gAO-2VJUpdHuouJ9fQ4ca0mfKa1snk8MPZFSja10vhGV4B6QaPsVqxtQDQeK2puBeGbzTsuaN1zRTIadOSc/s1600/totocalcio.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="290" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgr6-5W5hPvHyF6DlUC6q5KZKV59jgodT4VPn1NUa-G9BZPJln-VV_XAPy9gAO-2VJUpdHuouJ9fQ4ca0mfKa1snk8MPZFSja10vhGV4B6QaPsVqxtQDQeK2puBeGbzTsuaN1zRTIadOSc/s400/totocalcio.jpg" width="400" /></a></div>
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<b style="color: #b45f06; font-weight: bold;"><span style="color: #990000;">Totocalcio</span></b><br />
<span class="Apple-style-span" style="font-size: x-small;">1946 <b style="color: #b45f06;">| </b><span style="color: black;"><a href="http://www.storiedicalcio.altervista.org/nascita_totocalcio.html" target="_blank">La storia</a> | <a href="http://www.treccani.it/magazine/societa/I_70_anni_del_Totocalcio_un_gioco_votato_all_estinzione.html#" target="_blank">Treccani</a></span></span><br />
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</b></span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-86147830843122923792015-11-02T22:59:00.000+01:002015-11-02T17:16:59.577+01:00L'ultimo campo di Pier Paolo<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7kICDmeuGFugUDj0C75UBD1y76RtgXDe_jKVBAGRxLRhELikaa3mQWwSq21gJiKysCC1iXJ3mLJJiP-MkUKC0RBE2rtJs1vmMRNZP5Q6KYyd7dOsEN_ZGyMY90rQvLxUnvAjNnGTotDE/s1600/Pasolini_Ostia.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="275" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7kICDmeuGFugUDj0C75UBD1y76RtgXDe_jKVBAGRxLRhELikaa3mQWwSq21gJiKysCC1iXJ3mLJJiP-MkUKC0RBE2rtJs1vmMRNZP5Q6KYyd7dOsEN_ZGyMY90rQvLxUnvAjNnGTotDE/s1600/Pasolini_Ostia.jpg" width="400" /></a></div>
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<b><span style="color: #990000;">Il monumento a Pier Paolo Pasolini all'idroscalo di Ostia</span></b><br />
<i>PPP aveva giocato a calcio anche in quel campo ...</i><br />
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<span style="font-size: x-small;">1980 | Mario Rosati | L'omaggio di Nanni Moretti (<i><a href="http://www.youtube.com/watch?v=KVHbbT-rUMQ" target="_blank">Caro diario</a></i>, 1993)</span><br />
<span style="font-size: x-small;">Pier Paolo Pasolini (Bologna, 5 marzo 1922 – Lido di Ostia, 2 novembre 1975) - <i><a href="http://www.treccani.it/enciclopedia/pier-paolo-pasolini/" target="_blank">Treccani</a></i></span><br />
<span style="font-size: x-small;">Vedi anche: <i><a href="http://eupallog-kultur.blogspot.it/2012/04/il-calcio-come-linguaggio.html" target="_blank">Il calcio come linguaggio</a></i> - <i><a href="http://eupallog-letteratura.blogspot.it/2013/12/lxi-letterario.html">L'XI letterario</a></i></span><br />
<span style="font-size: x-small;">Eupallog Letteraria: <a href="http://eupallog-letteratura.blogspot.it/2015/11/a-stukas-crossa-sta-palla.html" target="_blank">‘A Stukas, crossa ‘sta palla!</a> ("Boccaccio era il portiere")</span>Unknownnoreply@blogger.comtag:blogger.com,1999:blog-2464496381130665387.post-32795500005163237662015-08-09T21:21:00.000+02:002018-08-09T05:51:05.511+02:00Fuga per la vittoria<div class="separator" style="clear: both; text-align: left;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6d4KXqEY4q4gZ3YOnYC48PgF2Sksf0PmtYX2JUG9uAp7eqNx5HEZN_Nq3iNE8ex8TYyFVA8dB6YCqr0gNBFz7L2jR2Tv2TcQpwkNRmDZTBPhPOnSQvO-GA_8IjDjl5HiGetZM0gw8J5Y/s1600/escapetovictory.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6d4KXqEY4q4gZ3YOnYC48PgF2Sksf0PmtYX2JUG9uAp7eqNx5HEZN_Nq3iNE8ex8TYyFVA8dB6YCqr0gNBFz7L2jR2Tv2TcQpwkNRmDZTBPhPOnSQvO-GA_8IjDjl5HiGetZM0gw8J5Y/s1600/escapetovictory.jpg" /></a></div>
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<b><span style="color: #990000;">Escape to Victory</span></b><br />
Regia di John Huston<br />
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Il film ispirato alla partita della morte tenutasi a Kiev il 9 agosto 1942 tra una mista di calciatori di Dynamo e Lokomotiv e una squadra composta da ufficiali dell'aviazione tedesca Luftwaffe. Tra gli attori Pelé, Bobby Moore, Osvaldo Ardiles, Paul Van Himst e Kazimierz Deyna ... Molti dei calciatori comparsa erano in realtà professionisti dello Ipswich Town. Consulente speciale di Sylvester Stallone fu Gordon Banks. La partita fu girata nel Nándor Hidegkuti Stadion di Budapest, lo stadio dell'MTK Budapest FC.<br />
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<span style="font-size: x-small;">1981 | <a href="https://it.wikipedia.org/wiki/Fuga_per_la_vittoria" target="_blank">Scheda</a> | <a href="http://www.mymovies.it/film/1981/fugaperlavittoria/" target="_blank">MYmovies</a> | <a href="http://www.linkiesta.it/fuga-per-la-vittoria-stadio-abbattuto" target="_blank">Scheda storica</a> </span><br />
<span style="font-size: x-small;"><a href="https://www.youtube.com/watch?v=Y_gClyfpnmw" target="_blank">Trailer</a> | <a href="https://vimeo.com/131947035" target="_blank">Film</a> | <a href="https://www.youtube.com/watch?v=iAIk6bqN90s" target="_blank">La rovesciata del caporale Luis Fernandez</a> | <a href="https://www.youtube.com/watch?v=uHobUXsos3E" target="_blank">Il rigore finale</a></span>Unknownnoreply@blogger.com